🔗 Share this article Blank Canvas or Tone-Deaf? The Color Authority's Snowy Colour of the Year Sparks Backlash. The title of Colour of the Year goes to Pantone's latest Colour of the Year. For many people who has spent a long time renting, confronted by the same landlord-approved beige walls and longing for injecting personal style to their home, Pantone's latest Colour of the Year might be perceived as a disappointing choice. This time around, the influential color company has designated a shade of white as its premier hue. More specifically, the shade is called Cloud Dancer – a white described as "elevated" and "airy" which "acts as a symbol of tranquility in a society re-evaluating the importance of quiet reflection". It signifies the initial instance white has been honored as the Colour of the Year, and it has sparked considerable debate. As stated by Pantone, Cloud Dancer "represents more than a hue, it's a philosophy" and embodies a widespread urge to decelerate, recalibrate and achieve serenity after years of visual overload. An entirely white application of Pantone's Cloud Dancer – serene in concept, anxiety-inducing if you enjoy red wine or coffee. But some critics have dubbed the decision as "out of touch", contending that elevating minimalist and immaculate white spaces can feel distant from the more compact, lived-in homes the majority inhabit. Others propose that framing white as aspirational carries subtext related to race, landing uncomfortably during continuing societal discussions about inclusion and diversity. Sterile or Serene? Interior expert One design critic says the counter-reaction transcends aesthetics, stating that white holds societal connotations and is rarely a neutral choice. "The color white sends a message," he says, shaped by a ten-year period of minimalist celebrity interiors – most notably Kim Kardashian's austere home – that came to epitomize "affluence, order and distance from chaos". He elaborates that white is "not intended to inspire but being careful not to offend", with Cloud Dancer embodying "austerity, virtuous simplicity and the concept that impartiality equals virtue". Chris believes Pantone's choice for 2026 is "misguided". Beaumont references the pandemic as a defining period in how people relate to their homes. "Overnight they transformed into our workspaces, sanctuaries and emotional anchors," he says, stating that against this backdrop, directing the Colour of the Year towards "more aesthetic barrenness seems rather out of step". Instead of providing calm, he argues white now threatens to heightening "a feeling of emptiness", particularly when paired with cool, clinical lighting. 'A Clinical Atmosphere Lara Clark, a Surrey based design expert, agrees and says Cloud Dancer "doesn't really read as a colour" and is "firmly in the bin for me". While it may work in highly minimal or structural spaces, she says pure white shades rarely foster calm in real homes. "What looks serene in a styled shoot can readily feel sterile at home," she explains. "White can feel harsh and demanding and you don't want your home to give hospital vibes." According to Lara using white in real homes can create a sterile feeling. She continues that "homes should elicit happiness and be warm and lived-in, and this hue feels quite distant from that." The critic hopes that homeowners will reject the Pantone Colour of the Year in favour of "unabashed joyful interior design", using colour to express individuality. A representative of the Pantone Colour Institute stated that people "have varied interpretations" to the meaning of the colour, but it was chosen as it "works seamlessly with everything around it, providing a refined neutrality that feels deliberate and versatile". Since its launch in 2000, Pantone's Colour of the Year has evolved into a powerful industry signal. Past choices have included the optimism of Living Coral, the serene assurance of Classic Blue, the vibrancy of Viva Magenta, and most recently softer, feeling-based tones like a soft peach. These colours don't just live on style predictions - they show up in clothing lines, cosmetic products, home decor, packaging and even technology, influencing how products are marketed and how consumers envision the coming year. Cosmetics previously released a collection based on Pantone's 2015 Colour of the Year - a rich red-brown. A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may appear basic, "this specific hue feels soft and elegant rather than severe". In contrast to those who say the colour is dull, Robinson sees it as "adaptable" and says it's best used in "bedrooms and living areas where you want a serene, restful atmosphere". "Even if you don't want to repaint, you can introduce the colour into a room with pillows, throws and curtains." Pantone's Colour of the Year for 2025 was Mocha Mousse which "encourages a pure and organic approach to luxury". Interior designer Another professional says although he was surprised that Pantone's pick this year was "fundamentally the lack of pigment", it is a bit like a basic flavor, in that "everyone likes it but it's not a top choice". He can see its benefits, explaining that white can work especially effectively as a background for architectural details like panelling and arched doorways which is a "rising style in contemporary houses". In apparel, white has long been a basic rather than a statement and as a Colour of the Year it presents a unique test to designers more accustomed to bold shades. Fashion consultant A styling expert says elevating white seems "less about novelty and more about intention", reflecting a movement towards sophistication after years of fad saturation. Oriona says white is a difficult colour to pull off in fashion. "The color white compels designers and wearers alike to focus on shape, scale and quality, there's really nowhere to hide," she clarifies. But she continues that it also carries assumptions around body confidence, way of life and advantage, saying: "When white is treated as something only a narrow group of people can wear well, it becomes exclusionary." She says the fashion world is already aware of the uncomfortable undertones tied to celebrating white as an ideal, especially during continuing conversations about inclusion and approachability, and the real test will be whether "brands engage with that complexity honestly, or simply glamorize the colour". A Cultural Mood, Not a Trend Stylist Katie Malik concedes the choice at first shocked her, considering Pantone's track record of bold colours, but says it reflects a authentic change and fits within a wider mood of "quiet luxury